Free Download Written On The Body, by Jeanette Winterson
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Written On The Body, by Jeanette Winterson
Free Download Written On The Body, by Jeanette Winterson
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Pressestimmen
"Part love story, part philosophical treatise, part anatomical guide, Written on the Body defies categorisation, dispensing with clichés and stereotypes to forge, from the raw physicality of the body itself, a new language for love." (Jamei Qautro Guardian)"Winterson's novels are about exploding our complacent notions of the real, breaking down received ideas of gender, time and space... John Donne wrote, "Love...makes one little room, as everywhere." Winterson's novel arrives at a similar affirmation" (Time Out)"An ambitious work, at once a love story and a philosophical meditation on the body...the result is a work that is consistently revelatory about the phenomenon of love" (New York Times Book Review)"This book is a deep sensual plunge, a worship of the body, inside and out" (Guardian)
Über den Autor und weitere Mitwirkende
Jeanette Winterson OBE was born in Manchester. Adopted by Pentecostal parents she was raised to be a missionary. This did and didn’t work out. Discovering early the power of books she left home at 16 to live in a Mini and get on with her education. After graduating from Oxford University she worked for a while in the theatre and published her first novel at 25. Oranges Are Not The Only Fruit is based on her own upbringing but using herself as a fictional character. She scripted the novel into a BAFTA-winning BBC drama. 27 years later she re-visited that material in the bestselling memoir Why Be Happy When You Could Be Normal? She has written 10 novels for adults, as well as children’s books, non-fiction and screenplays. She writes regularly for the Guardian. She lives in the Cotswolds in a wood and in Spitalfields, London. She believes that art is for everyone and it is her mission to prove it.
Produktinformation
Taschenbuch: 192 Seiten
Verlag: Vintage (4. September 2014)
Sprache: Englisch
ISBN-10: 0099598272
ISBN-13: 978-0099598275
Größe und/oder Gewicht:
12,9 x 1,3 x 19,8 cm
Durchschnittliche Kundenbewertung:
3.6 von 5 Sternen
24 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 12.343 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
... eine wunderbare Sprache, ich bin aus dem Staunen nicht herausgekommen und möchte es immer und immer wieder lesen ... *seufz*NACHTRAG: Unbedingt auf Englisch lesen, wenn möglich - aufgrund sprachlicher Besonderheiten k a n n die deutsche Version dem Original gar nicht gerecht werden!
This is one of the most powerful and magnificent love stories I have ever read. Winterson, a young British writer, has crafted a tale in which her narrator is genderless and the lover is a married woman. Impossible you say? It says on the back cover, "The narrator...has neither name, nor gender; the beloved is a married woman...as Winterson chronicles their consuming affair, she compels us to see love stripped of cliches and categories, as a phenomenon as visceral as blood and organs, bone and tissue..." What makes the novel such a powerful love story is just that. Love without the "cliches", the boundaries set by the culture and the society. The bigger question that is raised by this book is one of the writing 'voice'. Can a woman successfully write in a man's voice? Or a man in a woman's? Charles Dickens was once derided by a friend for having written "Bleak House" in a woman's voice.  Because my sister (an English teacher at U. Mass, Amherst) teaches a class on Men and Women in Literature, she asked me to read this with an eye for any written clues that might identify the narrator's gender.  Winterson is so clever and such a brilliant writer that there were both many and none! The reader is left not so much with the beauty of the love story or the lyrical prose, but rather with the question of literary voices. A fascinating book
I'm an avid book reader who reads about a book a week. It has been years since I've come across a book as magical as Written on the Body. It is truly a life changing book for me, and I'm glad that I didn't die having never read it. If you've ever been in love and been rejected, this book is the best company you'd ever have for your misery. Yet the narrator is always wry and wonderous at the same time. The first time I read this book, I looked around the bookstore to see if someone was whispering in my ear. It is easily the first five pages of any book I've ever written. While I like The Passion better that this book (and can in truth only recommend this book and the Passion of Winterson's), this book can definitely hold its own and has an appeal much more urbane and specific than The Passion.
Reading her cronological means that this is her first novel without fairies. It's the first novel hiding the gender of the narrator. (Although there is one hint that it might be female). A book with a mistake, maybe: If the narrator really is vegetarian, why does he/ she eat the rabbit?Nothing in this book is clear, only one thing: That love is nothing, and love is everything, and that humans, or the narrator only?, don't change, cannot change, dare not change.It's a sad book, a deep book, there is nothing more to say about it. Maybe it's her best one so far.
Despite Winterson's neat prose and fluid style, Written on the Body cannot achieve what it ultimately wants. It begins with a bang, but is followed by a whisper (The Waste Land comes to mind). The first twenty to thirty pages are lucid and clever, a play on fiction itself and a brilliant tossing around of Caliban and the narrator in a kind of dream-meta-fiction. That this is followed by a horrid sentimentalism is somewhat shocking. Winterson's seeming point (to write a love made not by cliches but stripped bare to the core) is undercut by her reinscribing of all the cliches on a more lusty level. For a love story, its simply cliches in a langage etrange, rather than an eradication. The end is complete misery and perhaps begs Hollywood adaptation. However, my main point of objection stems from Winterson's strong anti-Semitism, marked clearly in the "body" of Elgin. This problem, previously discussed in The New Republic, seems completely glossed over by the other reviewers here, but I think it important to note. Winterson, in incorporating this element, clearly places herself in the personal-political tradition of T.S. Eliot and Ezra Pound. But unlike those revered writers (in their early days) she cannot shake off the past 50 years, the Holocaust or such events. Her incorporation of these beliefs amidst her otherwise "free" work (the bisexuality of the narrator, for instance) is frightening. This is quaint reading, and lovers convinced they have found true love may find it a nice ideal to try to recreate. Unfortunately, this is not Winterson at her best and it does not deserve the gross seriousness with which the rest of us seem to take it.
Although "Written On The Body" can go off on a few more tangents than I'd prefer, it is otherwise a stunning work of art. The words of this novel are often more like lyrics than prose, and the characters are richly explored. I've had this book for 5 years now and read it at least a dozen times; each time I read it I get something else out of it. Especially good to re-read at different stages of your life, since I think the meaning you might draw from it as a young adult, for example, will differ from what you see in it at 30, or 50, or 60.My only other criticism is that the story has a somewhat tedious beginning. But in the end, it's definitely worth slogging through (or skipping the beginning altogether on subsequent reads, as I do)!
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